
~ Writing a Biography ~
STALKING THE ELEPHANT
A Blog About Writing Biography and Imagining a Life
THE WRITING LIFE: BIOGRAPHY AS RORSCHACH TEST
November 26, 2012

Rorschach Inkblot No. 9 (Wikipedia)
Usually on Sunday morning I open the New York Times and go straight to the Styles section, where the "Social IQs" column is. "Social IQs" gives advice to the socially perplexed, and reading it gives me hope of becoming the polite, perspicacious, socially intelligent human being I imagine its author, Philip Galanes, to be. Yesterday, however, Read More
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Interview: DEIRDRE BAIR ON STEINBERG, CAPONE, AND CHOOSING A SUBJECT (TBC INTERVIEW)
November 19, 2012

This week, Nan A. Talese/Doubleday will publish Deirdre Bair's Saul Steinberg: A Biography, the first biography of the New York artist whose beloved, ferociously funny New Yorker cartoons are now icons of American satire. (Think "View of the World from 9th Avenue," his famous 1976 map of the United States as seen by parochial New Yorkers.) I interviewed Bair for the monthly newsletter of Biographers International. An adapted version of that conversation appears here. Read More
GETTING ORGANIZED, 2: AN EASY PATH TO YOUR FILES
November 17, 2012
This is the second of two posts about setting up an online filing system to store primary research findings.
In my last post, I discussed how I organize MS Word for Read More
In my last post, I discussed how I organize MS Word for Read More
WHAT'S THE BIG IDEA? Lucy Knight on the Importance of "Firsts"
November 16, 2012

Louise (Lucy) W. Knight is the author of two biographies of Jane Addams and principal of Knight Consulting, a non-profit consulting firm.
"WHAT'S THE BIG IDEA?" invites published biographers and writers of nonfiction to discuss the ideas and insights that have been important to them or helped them solve one of the many challenges of writing, research, and the nonfiction writer's life. Has something helped you as a biographer or nonfiction writer? Send in a comment.
I think a lot (and by "a lot" I mean all the time) about the life of my subject and how I'm telling her story. My friend Louise (Lucy) W. Knight, who's written not one but two fine books about the great social worker Jane Addams, recently told me about an epiphany she once had about telling the story of a life, an epiphany that came from reading the first volume of Richard Holmes' biography of Samuel Taylor Coleridge. It both deepened her thinking about Jane Addams' life story and increased her confidence as a narrator. I've asked her to describe it here. —Dona Munker Read More
GETTING ORGANIZED, 1: WE BRING ORDER TO CHAOS
November 13, 2012
Whether you're writing your first biography or your tenth, a simple yet flexible filing system can make storing and accessing information simpler, help you remember things, and generally make writing a book a lot easier. This post is the first of two about setting up a computer filing system for primary research in a biography. Or, as the Borg Queen on Star Trek might say, it's about bringing order to chaos. Read More
DEPARTMENT OF CURRENT EVENTS
November 10, 2012

Beverly Gray
This trenchant comment on the Petraeus affair just in from film biographer Beverly Gray:
"So David Petraeus is resigning because he slept with his biographer. I'd say here's a case where she got a little too close to her subject."
"So David Petraeus is resigning because he slept with his biographer. I'd say here's a case where she got a little too close to her subject."
AND NOW, A WORD ABOUT FILING. AGAIN.
November 10, 2012

One of the occupational hazards of writing biography is that you may develop an intense preoccupation with—well, with filing.
This is a sort of dirty professional secret akin to wanting to know about the inner workings of mechanical clocks. All any normal person who isn't a clockmaker really wants to know is Read More
This is a sort of dirty professional secret akin to wanting to know about the inner workings of mechanical clocks. All any normal person who isn't a clockmaker really wants to know is Read More
DO YOU HAVE TO "LIKE" THE SUBJECT YOU PICK?
November 6, 2012

Deirdre Bair. What does "like" mean?
Biographers are often asked whether they "like" the person they've chosen as a subject, or some version of that question. The implication is that if one is going to be stranded on the desert island of research with another human being for years on end, one had damn well better be able to enjoy his or her company, and be able to make the reader enjoy it for five hundred pages, too. Read More
HELLO AGAIN....
November 5, 2012

If you looked at the date of my last post for October and noticed that there's a year missing between it and the first post for November, it's not you; it's me.
I was away doing other things, including a bit of recalibrating of my own Elephant, a.k.a., SARA AND ERSKINE, Read More
I was away doing other things, including a bit of recalibrating of my own Elephant, a.k.a., SARA AND ERSKINE, Read More
FOLLOWING UP FOR A LITERARY GIANT
November 3, 2012

Paul Reid.
What could be more daunting for a writer than standing in for one of the twentieth century's most admired and popular biographers, especially when the biographer was an idol and a close friend?
Chosen to write the third and final volume of The Last Lion, the late William Manchester's biography Read More
Chosen to write the third and final volume of The Last Lion, the late William Manchester's biography Read More