StoryDriven: Writing a Biography, Imagining a Life



Fear of Filing: Simple ways for writers to inoculate their research against disaster.

  • When setting up an online filing system for your book, keep the system as simple as possible. Try to work it so that there can be only one place where a piece of research will be when you need it again. Two places is chancy and three almost guarantees that it's "lost."


  • Create as few files as you need to do the job, rather than as many. Think in terms of limiting rather than multiplying files.


  • When designing a hard copy filing system (i.e., the files in a cabinet or drawer), organize it so it reflects your online filing system as closely as possible. Use the same folder and file names in your storage cabinets as online. That way, you won't have to spend hours going through a file to figure out whether it's the file-drawer equivalent of one online or something slightly different. (Trust me on this: I've been there.)


  • Date everything! Date when you first make a note or an observation about something you've found. And when you revise it, and revise it again, date it again! Date every page of every printout whenever you make one. (No, you don't have to do this by hand. You can set your word processor to print the date automatically, just like the page number.) Date even the scraps of paper and envelopes you scrawl notes on in your moments of inspiration.


  If you train yourself to date everything, a couple of years down the line you will not only be able to see how your ideas have evolved but which version of your thinking is the latest, and will have spared yourself untold agonies of bewilderment and confusion.




     • My articles from NEWSLETTER: IMAGINING A LIFE AND THE CRAFT OF BIOGRAPHY are a resource for practicing biographers, journalists, students, teachers, researchers, and readers. They examine the pleasures, challenges, and problems of imagining a life and constructing a narrative in biography and biographical nonfiction.

       You can read these articles by going to the ARCHIVE in the sidebar.

         Also on this website: "Finding Our Voice," an account of writing an actual biographical narrative.


        BOOKS:



        Sara Bard Field and Charles Erskine Scott Wood in 1920, after their "free union" on San Francisco's Russian Hill. I am reconstructing their lives and their extraordinary May-December love affair in SARA AND ERSKINE, AN AMERICAN ROMANCE, which is also a biography of Sara Bard Field. (In progress.)



        • "Lyrical and enchanting....Beautifully written." —The New York Times Book Review.

        LINKS and RECOMMENDATIONS
        ~ StoryDriven ~
        Writing a Biography, Imagining a Life


        Know of a link or a book that should be here? Please E-MAIL ME.

            • WRITING LIVES and THE CRAFT OF BIOGRAPHY. Biographers: Help me build a cache!
            • GUIDES TO WRITING A BIOGRAPHY BOOK PROPOSAL.
            • Websites for BIOGRAPHERS and READERS. Links.
            • About SARA AND ERSKINE. Websites with information on Sara Bard Field and C.E.S. Wood.
            • DAUGHTER OF PERSIA. Two websites and a podcast (right sidebar).

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          • WRITING LIVES and THE CRAFT OF BIOGRAPHY     If you have or know of another website about writing biography and biographical nonfiction and would like it listed here, please E-MAIL ME the address and a one-sentence description.

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            • GUIDES to WRITING a BIOGRAPHY BOOK PROPOSAL     All trade biographies—that is, biographies for a general audience—and undoubtedly most university press biographies are sold well before they're finished, or sometimes even begun, through what's called a book or publishing proposal.     There are dozens of books about how to write a nonfiction publishing proposal. I've picked these three because they give some attention to biography. The two aimed at the trade market provide actual examples of book proposals, as do many others I don't mention here.     If you're a biographer who has sold a proposal with help from a book you can recommend, please E-MAIL ME and I'll take a look at it.     Caveat: As with any advice books, use intuition and common sense. The sample proposals in these books are meant to suggest possibilities, not to provide you with iron-clad rules for selling a literary "product." Biographies are as singular as their writers, and no one size or shape will fit all.

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                • Germano, William. Getting It Published: A Guide for Scholars and Anyone Else Serious about Serious Books. Univ. of Chicago Press, 2001. How to submit a book to a university or academic press, with information on submissions, the peer review, what to do and what not to do. Though he gives no examples, Germano makes clear what a university press submission package should include.     • Larsen, Michael. How to Write a Book Proposal. Writers Digest Books, 1997. Overview by a commerical literary agent of things to bear in mind when writing a nonfiction book proposal. Pages 104-106 discuss writing a proposal for a biography. Appendix includes 3 sample proposals, complete with chapter outlines.     • Rabiner, Susan and Alfred Fortunato. Thinking Like Your Editor. How to Write Great Serious Nonfiction--and Get It Published. Norton, 2002. Practical advice on appealing to a general audience from the perspective of a former editor-in-chief of Basic Books. Gives more space to biography than some of the competition. Includes the proposal for Debby Applegate's prize-winning biography of Henry Ward Beecher. (See "Caveat," above.)

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            And more:     • Appelbaum, Judith. How to Get Happily Published. New York: HarperCollins, 1998. I haven't checked to see whether publishing developments in the Internet age have outstripped some of the advice in the fourth edition of this long-lived perennial, but Appelbaum's book provides a comprehensive, if somewhat cursory, survey of the entire publishing process and includes advice on how to write and sell nonfiction book proposals.     • Literary Marketplace. Annual book publishing directory put out by R. R. Bowker every fall. The Yellow Pages of the publishing industry, it includes not only large trade publishers, their editors, and the kinds of books they generally publish, but also literary agents and many small and university presses. The paperback costs about $300, so you might want to go to your local public library for the most recent edition.     Don't confuse "LMP," as it's known, with Writer's Market, an annual aimed chiefly at magazine and article writers. For advice on writing a book proposal, you're better off with one of the books listed here. For tracking down editors and literary agents, stick with LMP or try the Internet. (More on that some other time.)     • Walsh, Pat. 78 Reasons Why Your Book May Never Be Published and 14 Reasons Why It Just Might. Penguin, 2005.     Read this only if you're very determined. Walsh's book is a harsh but honest look at publishing realities for writers of both fiction and nonfiction, including biographers. An editor and the co-founder of his own publishing house, he offers 78 short chapters on what can keep a book from finding a publisher and 14 more on how to improve the prospects of finding one, as well as some useful straight talk about book publishing as a business and why editors go into it.     Among the reasons Walsh gives for not getting published, I especially liked, "You Do Not Kill Your Little Darlings" and "You Sacrifice Clarity for 'Art,'" problems that can afflict experienced biographers as well as novices. (Wish he'd also included, "You Refer to Your Work as 'Creative Non-Fiction.'" Why? The next time you're in a bookstore, ask the bookseller where he keeps his "creative nonfiction." Then watch him try to figure out what shelf to send you to.)     Of Walsh's final 14, my favorite was, "You Learn from Rejection." Not for the faint of heart, but salutary, smart, and valuable.

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              • WEBSITES for BIOGRAPHERS AND READERS     • The Biographer's Craft. Newsletter for practicing biographers and general readers with announcements of new books, interviews, practical tips.     • Center for Biographical Research, University of Hawai'i at Manoa Archives past issues of Biography, an academic journal. Also: conference announcements, numerous scholarly links for researchers.     • Consortium for the Study of Biography. New at the University of Southern California's Annenberg School of Journalism.

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                SARA BARD FIELD and CHARLES ERSKINE SCOTT WOOD    • Sara Bard Field: Poet and Suffragist. Sara Bard Field's 600-page oral history, online. Searchable.    • C.E.S. Wood — Soldier, Attorney, Writer. Short online biography of Charles Erskine Scott Wood.

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                  DAUGHTER OF PERSIA • Website of Sattareh Farman Farmaian. • PODCAST: "That Was Sattareh in Action." Dona Munker recalls what she heard about Sattareh Farman Farmaian after writing Daughter of Persia. • Two moving anthologies by and about Iranian-American women, compiled by Persian-American poet and essayist Persis Karim. Click here for more information.

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                  Notice of Copyright:

                      • All material on this website Copyright © 2005-2010 by Dona Munker except where expressly stated or contributed by others. Copying, altering, or reproducing this material in any form without written permission is prohibited by law and may be prosecuted regardless of the venue or purpose of the copying.

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                  Biography:
                  The Story of SARA BARD FIELD and CHARLES ERSKINE SCOTT WOOD
                        SARA AND ERSKINE, AN AMERICAN ROMANCE (in progress) is about a search for love that turned a Baptist minister's wife into a nationally known suffragist and women's rights advocate, a California poet, and an "anarchist and free-lover."
                          Biographical Nonfiction:
                              DAUGHTER OF PERSIA
                                A timely, riveting account of the life and work of an extraordinary Iranian aristocrat and social reformer, Sattareh Farman Farmaian, DAUGHTER OF PERSIA is at once memoir and historical journalism. It opens a personal window on Iran and America's involvement in the six tumultuous decades that laid the foundations of the crisis facing the United States and the West today.
                                      REVIEWERS on DAUGHTER OF PERSIA
                                        What critics, Middle East experts, writers, and general readers have said about Daughter of Persia.
                                            A READER'S GUIDE to DAUGHTER OF PERSIA
                                              • Article: "Finding Our Voice."
                                              • Discovering the right literary "voice" for Daughter of Persia.
                                                • For Reading Groups:
                                                    • A Writer's Perspective on Daughter of Persia Reading Group Questions.
                                                      • Reading Recommendations. A personal selection.
                                                    • LINKS and RECOMMENDATIONS
                                                      Books and websites of related interest. • For first-time biographers: Helpful guides to writing a biography book proposal.