Dona Munker: Writing a Biography

      ~ Writing a Biography ~
      STALKING THE ELEPHANT
      About Writing Biography and Imagining a Life

WRITING AROUND THE HOLES

April 20, 2015

Tags: Biography and imagination, Black holes

How to get around missing pieces?
A couple of years ago, I posted a report about a Biographers International conference panel on the "black holes" in biography, or areas of missing information.

    Another conversation a few weeks ago, this one moderated by James Atlas and carried on by three noted biographers, Ron Chernow, John Matteson, and Stacy Schiff, reminded me again of the "missing pieces" biographers have to anticipate—or, just as often, can't anticipate—on their way to writing a definitive biography. (For the likelihood of doing that, see the conclusion of "THE TRUTH": BIOGRAPHY'S MOVING TARGET.) More reflections inspired by the discussion: • JOHN MATTESON: CHOOSING A SUBJECT AND WHY WE WRITE, • SHOULD WRITING BE FUN?

    Below are some of the things the panelists had to say about this perennially interesting topic. (more…)

SO WHAT'S THE STORY?

October 13, 2014

Tags: Beginnings, Biography and imagination, Telling the story

"Unwritten Story" (© Reproduced by permission of Hiroko Yoshimoto.)
That joke in the sidebar about the sculptor and the elephant may be an old saw (no pun intended), but it's a perfect analogy for carving a story from what may at first seem a daunting and, often, seemingly disconnected body of research.

    Being able to define and project a story about the subject is among the biographer's first and most urgent tasks. For one thing, even in the early stages, having at least a hypothesis about the particular story you want to tell is the best way to get a grip on all that research. If only for that reason, understanding what "story" means for biography is critical. (more…)

IS THERE A "BIOGRAPHER'S IMAGINATION"?

October 6, 2014

Tags: Biography and imagination, Richard Holmes

What enables us to imagine other people's lives? (Image: West Virginia University Technical Institute)
A few years back, biographers were dismayed when critics lambasted biography for "pathography" and “sensationalism.” Everyone seemed to be getting tarred with the same brush. That view has evidently gone out of fashion, since for now, at least, we are more likely to read that we live in "a golden age of biography."

On the other hand, professional historians in the United States have long regarded biography, a literary hybrid with one foot in history and the other in the tradition of imaginative narrative literature, in somewhat the same way that Mr. Rochester's well-bred friends in Jane Eyre viewed Adele, his flamboyant ward—unreliable, showy, and of suspect lineage: something to be shunned, or at least avoided, by polite society. (more…)


    The disciple of a famous sculptor came upon his master carving an elephant from a huge, shapeless chunk of stone. "Master," cried the disciple, "What splendor! What realism! What insight! How do you do it?" "Simple," replied the sculptor. "You just cut away everything that isn't elephant."

    Stalking the Elephant is a blog about creating an elephant from a chunk of stone, a.k.a. writing a biography.

    It's also about the biographer's writing life (well, mine, anyway) and a work in progress, SARA AND ERSKINE, AN AMERICAN ROMANCE. This is an intimate reconstruction of the life of SARA BARD FIELD, a World War One-era minister's wife, suffragist, and poet, and her extraordinary affair with an outspoken attorney, philosophical anarchist, and Renaissance man CHARLES ERSKINE SCOTT WOOD.

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Visit the RESOURCES page and take advantage of a growing list of links, blogs, and books for anyone interested in biography and writing lives.


    Sidebar Photo Credit: Elephant Country Web


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