Dona Munker: Writing a Biography

      ~ Writing a Biography ~
      STALKING THE ELEPHANT
      About Writing Biography and Imagining a Life

DEALING WITH THE MESSINESS

November 8, 2015

Tags: Biography and ethics, Carla Kaplan, Women Writing Women's Lives (discussion group)

   Maybe it's just me, but on the whole I'd prefer to like and admire someone I've chosen to spend years living with. And while few biographers expect—or even want—their subjects to be squeaky clean in every aspect of their public or private lives, being able to identify with the subject, at least in part, can help a writer survive the long haul of writing a biography.

       On the other hand, as Deirdre Bair found when researching the life of Simone de Beauvoir, identifying with the subject can be a handicap as well as an advantage. Identification and empathy both have the potential to cloud the biographer's judgment, making it difficult to decide what to do with apparent inconsistencies—and also with blatant departures from what made us admire this figure in the first place. (more…)

"THE TRUTH": BIOGRAPHY'S MOVING TARGET (TBC REPORT)

April 20, 2015

Tags: Biography and ethics, TBC reports

    Every biographer is familiar with the tension between the search for historical accuracy and the need to bring the subject alive in a narrative. In a conversation presented jointly by the New York University Center for the Study of Transformational Lives and the NYU Biography Seminar, biographer James Atlas asked three Pulitzer Prize–winning colleagues, Ron Chernow, John Matteson, and Stacy Schiff, for their views on the question, “Is Biography True?” The answer, basically, was a resounding, “Sort of.” (more…)

BAREFOOT IN THE ARCHIVE

October 21, 2014

Tags: Biography and ethics, In the archive, Sara Bard Field, Sattareh Farman Farmaian

In my report on a lecture given by biographer Richard Holmes, I didn't mention that at one point he recalled arriving in a downpour for a discussion at the famous but notoriously mud-soaked Hay-on-Wye literary festival in Wales and being greeted by a moderator who said to him, in a lilting Welsh accent, “Ah, Mr. Holmes. Fine weather for biographers! Plenty of feet of clay!”

*

     It wasn't exactly clear whether the target of this whimsical reminder of the debunking tendencies of biography were the people Holmes and his fellow biographers wrote about or biographers themselves—probably both. Anyway, the implications of this amusing story were in the back of my mind as I arrived at the Huntington Library and Gardens in San Marino, California last week (more…)


    The disciple of a famous sculptor came upon his master carving an elephant from a huge, shapeless chunk of stone. "Master," cried the disciple, "What splendor! What realism! What insight! How do you do it?" "Simple," replied the sculptor. "You just cut away everything that isn't elephant."

    Stalking the Elephant is a blog about creating an elephant from a chunk of stone, a.k.a. writing a biography.

    It's also about the biographer's writing life (well, mine, anyway) and a work in progress, SARA AND ERSKINE, AN AMERICAN ROMANCE. This is an intimate reconstruction of the life of SARA BARD FIELD, a World War One-era minister's wife, suffragist, and poet, and her extraordinary affair with an outspoken attorney, philosophical anarchist, and Renaissance man CHARLES ERSKINE SCOTT WOOD.

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    This couple takes up a lot of time (not to mention a lot of oxygen), and since I don't have a regular posting schedule, the best way to receive updates is to sign up to be notified when I post something new.

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Visit the RESOURCES page and take advantage of a growing list of links, blogs, and books for anyone interested in biography and writing lives.


    Sidebar Photo Credit: Elephant Country Web


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