Dona Munker: Writing a Biography

      ~ Writing a Biography ~
      STALKING THE ELEPHANT
      About Writing Biography and Imagining a Life

BAREFOOT IN THE ARCHIVE

October 21, 2014

Tags: Biography and ethics, In the archive, Sara Bard Field, Sattareh Farman Farmaian

In my report on a lecture given by biographer Richard Holmes, I didn't mention that at one point he recalled arriving in a downpour for a discussion at the famous but notoriously mud-soaked Hay-on-Wye literary festival in Wales and being greeted by a moderator who said to him, in a lilting Welsh accent, “Ah, Mr. Holmes. Fine weather for biographers! Plenty of feet of clay!”

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     It wasn't exactly clear whether the target of this whimsical reminder of the debunking tendencies of biography were the people Holmes and his fellow biographers wrote about or biographers themselves—probably both. Anyway, the implications of this amusing story were in the back of my mind as I arrived at the Huntington Library and Gardens in San Marino, California last week (more…)

SO WHAT'S THE STORY?

October 13, 2014

Tags: Beginnings, Biography and imagination, Telling the story

"Unwritten Story" (© Reproduced by permission of Hiroko Yoshimoto.)
That joke in the sidebar about the sculptor and the elephant may be an old saw (no pun intended), but it's a perfect analogy for carving a story from what may at first seem a daunting and, often, seemingly disconnected body of research.

    Being able to define and project a story about the subject is among the biographer's first and most urgent tasks. For one thing, even in the early stages, having at least a hypothesis about the particular story you want to tell is the best way to get a grip on all that research. If only for that reason, understanding what "story" means for biography is critical. (more…)

RICHARD HOLMES EXPLORES THE VALUE OF "A HANDSHAKE ACROSS TIME" (TBC REPORT)

October 7, 2014

Tags: Richard Holmes, TBC reports

Holmes used this image to illustrate biography's "handshake." (By permission of Richard Holmes)
In fifty years of writing biography, the innovative and prolific Richard Holmes has become known to his fellow practitioners as "a biographer's biographer" for his reflections on the art and craft of biography (Footsteps: Adventures of a Romantic Biographer and Sidetracks: Explorations of a Romantic Biographer). At the 2014 annual Leon Levy Center Lecture in New York, he shared some of his insights with a rapt audience.

       Holmes was about eighteen when he decided to hike through the Cèvennes in an effort to retrace the route Robert Louis Stevenson had taken with his donkey Modestine in 1878. Showing the audience a picture of two pages in a lined spiral notebook, he explained (more…)

IS THERE A "BIOGRAPHER'S IMAGINATION"?

October 6, 2014

Tags: Biography and imagination, Richard Holmes

What enables us to imagine other people's lives? (Image: West Virginia University Technical Institute)
A few years back, biographers were dismayed when critics lambasted biography for "pathography" and “sensationalism.” Everyone seemed to be getting tarred with the same brush. That view has evidently gone out of fashion, since for now, at least, we are more likely to read that we live in "a golden age of biography."

On the other hand, professional historians in the United States have long regarded biography, a literary hybrid with one foot in history and the other in the tradition of imaginative narrative literature, in somewhat the same way that Mr. Rochester's well-bred friends in Jane Eyre viewed Adele, his flamboyant ward—unreliable, showy, and of suspect lineage: something to be shunned, or at least avoided, by polite society. (more…)


    The disciple of a famous sculptor came upon his master carving an elephant from a huge, shapeless chunk of stone. "Master," cried the disciple, "What splendor! What realism! What insight! How do you do it?" "Simple," replied the sculptor. "You just cut away everything that isn't elephant."

    Stalking the Elephant is a blog about creating an elephant from a chunk of stone, a.k.a. writing a biography.

    It's also about the biographer's writing life (well, mine, anyway) and a work in progress, SARA AND ERSKINE, AN AMERICAN ROMANCE. This is an intimate reconstruction of the life of SARA BARD FIELD, a World War One-era minister's wife, suffragist, and poet, and her extraordinary affair with an outspoken attorney, philosophical anarchist, and Renaissance man CHARLES ERSKINE SCOTT WOOD.

Subscribing is easy.

    This couple takes up a lot of time (not to mention a lot of oxygen), and since I don't have a regular posting schedule, the best way to receive updates is to sign up to be notified when I post something new.

     Here's how: On the blog page, click on the RSS button of your browser. (In Firefox: Go to the Bookmarks menu and select "Subscribe to This Page.") You can then check to see if there's been an update in the RSS feed of your browser's toolbar.




Visit the RESOURCES page and take advantage of a growing list of links, blogs, and books for anyone interested in biography and writing lives.


    Sidebar Photo Credit: Elephant Country Web


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         All material on this website Copyright © 2005-2015 by Dona Munker except where expressly stated or contributed by others. Copying, altering, or reproducing this material in any form without written permission is prohibited by law and may be prosecuted regardless of the venue or purpose of the copying.

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