April 20, 2015
April 20, 2015
Biographers International conference panel on the "black holes" in biography, or areas of missing information.A couple of years ago, I posted a report about a
Another conversation a few weeks ago, this one moderated by James Atlas and carried on by three noted biographers, Ron Chernow, John Matteson, and Stacy Schiff, reminded me again of the "missing pieces" biographers have to anticipate—or, just as often, can't anticipate—on their way to writing a definitive biography. (For the likelihood of doing that, see the conclusion of "THE TRUTH": BIOGRAPHY'S MOVING TARGET.) More reflections inspired by the discussion: • JOHN MATTESON: CHOOSING A SUBJECT AND WHY WE WRITE, • SHOULD WRITING BE FUN?
Below are some of the things the panelists had to say about this perennially interesting topic. (more…)
April 12, 2015
what writers can learn from John Matteson's thirteen-year-old daughter when I remembered something Larry Niven once said.The other day I was thinking about
In case you have never been a closet science fiction fan, Niven, who is the author of Ringworld, is also one-half of the writing duo of Larry Niven and Jerry Pournelle. Their most famous collaboration is The Mote in God's Eye, but my favorite is Lucifer's Hammer, a novel about a comet that hits the earth and destroys Los Angeles (as well as the rest of civilization, but that's incidental). (more…)
April 9, 2015
February 6, 2015
Morris, the author of a biography of Joseph Pulitzer (and, as the man who dreamed up Biographers International, the benefactor of biographers everywhere), is publishing Eye on the Struggle: Ethel Payne, the First Lady of the Black Press this month. His reflections on what researching and writing this book did for him as a human being will speak to every biographer who wants to enlighten not only others with the story of a life but also himself. Or herself. Read "Reporting across the Color Line".
January 3, 2015
This is the third of four articles on how story and narrative work together in biography.
Anyone who wants to write a biography that's more than just an encyclopedia article or a laundry list of the main events of the subject's life has to decide early on what story to tell and how the arc of the narrative will advance it.
Elsewhere on this website, I discuss what what a story is in biography and the importance of the "red thread" for selecting what to include in the narrative. In this post, I'll describe what I consider the most important tool for identifying the story and keeping it on track as your interpretation of it becomes refined by new information and insights. (more…)
October 21, 2014
lecture given by biographer Richard Holmes, I didn't mention that at one point he recalled arriving in a downpour for a discussion at the famous but notoriously mud-soaked Hay-on-Wye literary festival in Wales and being greeted by a moderator who said to him, in a lilting Welsh accent, “Ah, Mr. Holmes. Fine weather for biographers! Plenty of feet of clay!”In my report on a
It wasn't exactly clear whether the target of this whimsical reminder of the debunking tendencies of biography were the people Holmes and his fellow biographers wrote about or biographers themselves—probably both. Anyway, the implications of this amusing story were in the back of my mind as I arrived at the Huntington Library and Gardens in San Marino, California last week (more…)
October 13, 2014
the sculptor and the elephant may be an old saw (no pun intended), but it's a perfect analogy for carving a story from what may at first seem a daunting and, often, seemingly disconnected body of research.That joke in the sidebar about
Being able to define and project a story about the subject is among the biographer's first and most urgent tasks. For one thing, even in the early stages, having at least a hypothesis about the particular story you want to tell is the best way to get a grip on all that research. If only for that reason, understanding what "story" means for biography is critical. (more…)
October 7, 2014
Holmes was about eighteen when he decided to hike through the Cèvennes in an effort to retrace the route Robert Louis Stevenson had taken with his donkey Modestine in 1878. Showing the audience a picture of two pages in a lined spiral notebook, he explained (more…)
October 6, 2014
On the other hand, professional historians in the United States have long regarded biography, a literary hybrid with one foot in history and the other in the tradition of imaginative narrative literature, in somewhat the same way that Mr. Rochester's well-bred friends in Jane Eyre viewed Adele, his flamboyant ward—unreliable, showy, and of suspect lineage: something to be shunned, or at least avoided, by polite society. (more…)